I am using inverted triads, a chord with a different bass note. This chord progression is in a Major key!Ĭreating emotional chord progressions is that they don’t necessarily have to be in a minor key.Įmotional could also relate to a happy feeling, and this is what this chord progression is about. Chord Progression N.3 Best Friend Kind of Emotional C/E – F/A – C/E – G – F – Am – G Using two-chord with the same bass note can create amazing emotional chord progressions, especially if you play in a minor key. There is also another interesting chord, which is the Fmaj7(11)/A.
In this chord progression, I am using an Aminadd9 chord at the beginning of the progression, which gives a clear statement: It’s a sad chord progression! They are beautiful sounding chords that can be associate with sadness and grief. Amadd9 – Fmaj7(#11)/A – Am7add9 – GĮvery time you need to make a chord progression sad, you can always rely on minor add 9 chords. Chord Progression N.2 We Did What We Could kind of Emotional. There is also a lot of reverb effect, which really helps to sustain the notes. On the 2nd and 3rd rounds, I also added a few notes to spice up the chord progression. You don’t feel like running when you listen to this kind of music, instead of a feeling of quietness and peace. The descending chord progression going from Em to D, and then C gives the music a sense of rest. This chord progression is perfect if you want to reproduce the moment we get stuck in our thoughts.
COOL CHORD PROGRESSIONS GUITAR OPEN FULL
Get the Tab here! The Videoĭeep Thinking Kind of Emotional – Get the Full Lesson and tab – Access the Student Area – Em – D – C – G – G/F# Become a Patron to unlock all the lessons and courses on site. Most of popular music will be built off these three or four chords.Tab available on Patreon. If you want to extend that you can add the vi chord (more on that in a bit). The most common chords used for popular music are the I chord, the IV chord, and the V chord. What I’m saying is that the progression uses the I chord, then the IV chord, then the V chord. That way, you can take these ideas into any key.Īnd I’ll use terminology like “that’s a I-IV-V pattern”. You’ll see what I mean! I’m going to switch to mostly roman numerals now, with chords listed as examples to tie it together. The 5 (V) chord especially pulls very strongly to the I chord. They create enough tension that resolves on the root (I) chord. The chords tend to pull to the root chord. When writing your progression, a good rule of thumb is to end it on the 4 (IV) or 5 (V) chord. They’ll sound OK and make sense to your ears. You can pretty much choose any three or four of these chords and play them together. Many, many, many progressions are built with these six chords. And in the case of the key of C, that's going to be three major chords and 3 minor chords. The chords were going to be dealing with are 1 through 6. Using our roman numerals, here is how every chord naturally falls:ĭiminished chords don’t show up much in popular music, so we’ll skip it for now.
That just means they’re made up strictly of notes in the scale and you haven’t borrowed from other scales. That’s all there is to it! These chords are called diatonic chords. For the D, you’d have D, G, and A for a D minor chord. With C, E, and G you have a C Major chord. Start with C and skip over one note to get the second note in your chord (skip over the D and you’ll land on the E), then skip over another note to get your third note in the chord (skip over the F and you’ll land on the G). So we’ll need two more notes to make our chords.
Every Major and minor chord has three notes. To make any chord in the key, start on the note you want, we’ll say C.
The seventh chord is a little different, in that it’s a diminished chord. Here’s what the chords would look like (and yes, each note also represents a chord in the key!):Īre you wondering why some are lowercase and some are uppercase? The upper case are Major chords, and the lowercase are minor chords. When we’re talking about chords in a scale, we change to roman numerals.